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wah-wah: less postcolonialism, more biopic richard e. grants 2005 drama film wah-wah, which he both wrote and directed, portrays the disintegration of a young boys family as it mirrors the fall of the british empire in africa. filmed and set in swaziland, the movie teeters on the edge of a biopic, lifting much of its inspiration from the early life of grant himself. taking place in the 1960s, the movie despite some quirky, off-beat humor brings the audience through a fairly grim set of personal events, opening with the young protagonist ralphs witnessing of his mothers infidelity, with his fathers best friend, no less. soon after, ralphs mother departs the household, leaving her young son alone with his father as the latter spirals downward into depression and alcoholism. as the film progresses, we see ralph grow up into a young man with some understandably heavy baggage. wracked with quiet abandonment issues in the aftermath of his mothers departure and forced to deal with his fathers emotionally abusive drunkenness, in addition to the latters remarriage to an unconventional american stewardess, ralph retreats into the world of the imaginary, delighting in puppet shows in musical theatre. need cheap car insurance? the cheapest car insurance? then visit this very cheap car insurance site! try here for short term car insurance or temporary car insurance in the uk or check here for short term car insurance for drug dealers the film is notable in that despite the colonial and post-colonial backdrop and african setting, the film deals less with the political and far more with the personal. very little screentime is devoted to the social, political, or cultural issues concerning whites in an african nation; instead, the majority of the movie follows ralphs development through his early to mid teen years, as he copes with his problematic home life and deteriorating family. that said, the film makes generous use of allegory; true, the broken family can be said to symbolize the breaking of british rule in swaziland, but perhaps even more significantly, the production that ralph participates in for the entertainment of princess margaret on the eve of swazilands independence is none other than the musical camelot. it is notable that the movie focuses in particular on the closing moment the lamenting of a brief, shining moment during which camelot still thrived. the plays nostalgic conclusion is a more than subtle comparions, perhaps, between arthurs camelot and the golden days of the british empire and on a third, more personal level, the happier days of ralphs own family. nicholas hoult shines in his role as the fifteen-year-old ralph, and is completely believable as a slightly older incarnation of zac fox, who portrays a younger version of the same character. now perhaps known best for his role as tony in the british teen drama skins, as seen on e4, hoult displays a more somber side to his repertoire in wah-wah. hoults ralph is a markedly different character from the brashly manipulative, yet popular and magnetic tony. ralph is withdrawn and quirky, dispaying an occasional childlike quality that seems startling in a teenager. yet hoult nonetheless imbues ralph with a more subtle sort of charm and charisma. ralph, after all, obtains a major role in camelot, and shows off a sweet, lilting singing voice at his audition (a musical gift, as it turns out, that tony would also share). he also gets the girl so to speak, and is shown in two brief scenes to be romantically entangled with a young woman in the production whose sole apparent purpose is to smile prettily and make goo goo eyes at ralph. all in all, wah-wah is a reasonably well put-together if occasionally slow-paced affair, and nicholas hoults offbeat charm and strong performance make up for a plot that sometimes drags. the movies greatest weakness may simply be that it lacks enough material for a film of its length. if one is looking for a movie that truly delves into colonial and post-colonial issues in british-african relations, look elsewhere, because wah-wah falls rather short of the cut. on the other hand, if family drama and exploration of the complexities of interpersonal interaction are more to ones taste, then by all means, give this film a shot. copyright wahwahmovie.co.uk 2010

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Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain name:
wahwahmovie.co.uk

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

Registrar:
Fasthosts Internet Ltd [Tag = LIVEDOMAINS]
URL: http://www.fasthosts.co.uk

Relevant dates:
Registered on: 12-Jul-2010
Expiry date: 12-Jul-2020
Last updated: 12-Jun-2018

Registration status:
Registered until expiry date.

Name servers:
ns3.vexxhost.com
ns4.vexxhost.com

WHOIS lookup made at 08:48:02 09-Aug-2018

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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS wahwahmovie.co.uk

  PORT 43

  TYPE domain

DOMAIN

SPONSOR
Fasthosts Internet Ltd [Tag = LIVEDOMAINS]
URL: http://www.fasthosts.co.uk
Relevant dates:

  CREATED 12-Jul-2010

  CHANGED 12-Jun-2018

STATUS
Registered until expiry date.

NSERVER

  NS3.VEXXHOST.COM 199.204.44.24

  NS4.VEXXHOST.COM 199.204.47.54

  NAME wahwahmovie.co.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2018.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at https://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED no

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